From the same people that brought us The Animatrix (oddly enough), Studio 4°C brings us this new animated wonder. It’s unique style and tremendously detailed animation net this movie countless awards, and it certainly deserves them. Following the lives of the two orphans Kuro and Shiro, or Black and White in English, the story dips in and out of the underlying corruption of Treasure Town; a bustling city puppeteered by Yakuza.

Kuro and Shiro live on the streets–comrades in the daily adventures of staying alive. With Yakuza threatening the peace of life in the ever-decaying Treasure Town, the two get wound up in a conflict when a foreign investor seeks Yakuza assistance to build an amusement park at the core of the city. Kuro, being the wildcat of the Treasure Town streets, rushes of to save the city from plunging further into chaos, but Shiro is the only one who can save Kuro from plunging into that same chaos himself.

The art is really quite amazing and is like nothing I have seen before in an animated feature. The art design’s uniqueness fits well with Studio 4°C’s unconventional story writing, creating a modern masterpiece of animated story-telling. A great degree of detail was put into the backgrounds used in the movie–the clock tower near the start is a great example of High Definition video put to good use. It’s quite obvious Studio 4°C put a great deal of effort into making sure this movie perfectly matched the vision that director Michael Arias had for the movie.

The soundtrack matched brilliantly and was something very fresh and new for anime. Written by Plaid, a well-known British electronic duo, the soundtrack is beautifully subtle, with emphasis in all the right places. My favorite track being the closing song; White’s Dream, is minimal and earthy yet a powerful close to this brilliantly unique movie.

If you are into artsy anime, Tekkonkinkreet comes highly recommended from me! It’s truly a feast for the eyes, the ears and even the mind–a worthy addition to my budding collection of anime Blu-Rays.

On a side note; the girl ‘singing’ is Minorin from the new series Toradora, which I dare say is the greatest Tsundere Harem I have ever seen. Much hysterical laughter ensued. Stay tuned for my upcoming review of Toradora.

A short trailer was just put online for Michiko To Hatchin–the story of Michiko; a free-willed “sexy diva” who destroys a supposedly inescapable prison fortress and Hatchin; a girl fleeing her strict foster parents. The two join forces on an improbable escape to freedom. The trailer itself doesn’t seem to show any of the actual scenes from the show, probably an OP clip, but the music and animation were both excellent.

With the production staff Michiko To Hatchin has got, I’m really excited to check this show out. Shinichiro Watanabe, the brains behind Cowboy Bebop and Samurai Champloo will be involved, but not as a lead director this time; he will be involved in music direction. While Hiroshi Shimizu, who has worked in animation for FLCL, Fullmetal Alchemist, Magical Shopping Arcade Abenobashi, Porco Rosso, Princess Mononoke and The Girl Who Leapt Through Time, will be contributing as a character designer this time around. Also Sayo Yamamoto, an experienced storyboard writer from Death Note, Ergo Proxy, Eureka Seven, Rozen Maiden: Traumend, Samurai Champloo and Texhnolyze will be directing the show.

As you can see, the crew has some big names under their belt, but they are all trying new areas they haven’t done much in, so it should be interesting to see how well they do at it.

Here’s the trailer;

For the longest time my MP3 Player was an iPod which, in all appreciation for how it changed the portable media market, is vastly inferior to some of the lesser known Portable Media Players to come out in recent years. The most significant, in my opinion, being the Cowon A3–the perfect portable media player for an anime lover such as myself. Why you ask? Format support–this thing can play just about -anything-. It can play H264 (unforunately it doesn’t yet support Main Profile) and XviD and most importantly; supports all sorts of container formats like OGM and MKV (Matroska Video). What does that all mean? Well, I’ll let you put two and two together; more than half of fansubbed anime is released in H264 format in an MKV container. Until now those have been unplayable on any form of portable media! That’s just the beginning of the A3′s awesomeness!

What makes this thing so great for an anime fan such as myself is that it has subtitle support! For now it’s not quite as comprehensive as I’d like, but Cowon appears to be working hard to make support better. As of now it doesn’t support internal subs, so they have to be extracted from MKVs with MKVExtract and it doesn’t support SubStation Alpha subtitles yet. Sadly SSA subs are the most popular among fansubbers, but fortunately many fansubbers are nice enough embed srt subs as well and for the ones that don’t there is always VobSub’s SubResync.

The A3 was designed to be an all-in-one multimedia device so it can do anything–even things you thought you’d never need. Audio and Video Recording for example; you can record lossless quality audio with the FLAC audio codec and record DVD resolution video up to 3Mbps! Expect to see lots of video captures of video games and such from this thing in the future. The recording system is quite good too; you can record audio and video from the line in, but you can also record it from the FM radio, the built-in microphone or even Wireless Television via DMB, 1SEG or DVB if you get a MobileTV tuner! It supports recurring schedules, so you can record daily or every weekday, or you could just schedule so specific date and time for a single recording.

It’s great to be able to just copy any media file over and not have to worry about converting it to something else first. The Cowon A3 doesn’t use any proprietary and confusing sorting system like most media players do; you can just copy any kind of media file anywhere on the hard drive by simply dragging and dropping files to a window on your computer. There is several default folders to sort things in, but it doesn’t actually restrict you to use of these folders. A good example of why this is good is music videos. Do you place them in the Movie folder or the Music folder? If you place them in the Music folder they will show up in the directory listing for the Movie Player, so you can place anything anywhere! What’s even greater is that it keeps track of what types of files are in each folder; if you go into the Music folder when browsing in the Movie Player you will only see folders listed that contain video files in them. It makes browsing for music videos much faster if you have a handful of music videos but have thousands of different albums from all sorts of different artists.

You’ll probably also love the Recent Files system it uses. The A3 keeps a list of the last 50 files you played without finishing them. Imagine you are on a trip somewhere and you decide to watch a movie; what if the movie is longer than the ride? You want to see how it ended don’t you? Well then, when you find the time to watch the rest, just turn on the A3 and go to Recent Files then select whatever it was you were watching and it will start back up right where you stopped it!

For audio there is full 10-band Equalization, BBE, Mach3Bass, MP Enhance and 3D Surround. As you might assume; you can get some rather fantastic audio quality out of this thing–that’s what Cowon is known for; audiophile-pleasing quality.

I also really like the Boundary setting for playback; you can set playback to restrict to all files, one folder in from Music, two folders in from Music or Playlist. If you organize your music by Album folders in Artist folders it makes this system work great; you can listen to a specific album, everything from a certain artist or everything. My only complaint is the playlist support; it uses some built-in playlist that you only have one of and it doesn’t allow saving or loading of common playlist formats used on the PC such as M3U Playlists.

The greatest thing about this device though? The screen. It sports a very high resolution 800×480 resolution in the same size as a PSP screen–that’s almost twice the resolution of the PSP’s screen! You know what else it has twice the PSP in? Brightness. The screen on this thing can be turned up so bright you can see the vibrant colors perfectly even in direct sunlight! *_*

The Cowon A3 also has a line-out for viewing on a bigger screen–and component, s-video and composite even! You can watch gorgeous 720p High Definition video on your big LCD TV from such a tiny portable unit!

Overall this is a truly amazing device that’s a simple firmware update away from being perfect. If you like having some sort of portable entertainment then go buy this device RIGHT NOW. No seriously, do it; you won’t regret it.

I’m not usually one to tear up at every chick flick that someone tricks me into watching, so I never really expected I’d ever catch myself crying to an anime, but this immensely beautiful piece of modern art proved me wrong. The power of the loneliness I felt in the characters was so strong that I actually felt sad enough to cry for them. This short movie that started Makoto Shinkai’s prospering anime career is well deserving of my praise. I was seriously awestruck after watching this. I had a few episodes of other shows after this in my media player playlist, but after this ended I had to pause for a few minutes just to pull myself back to reality from the intense emotions it invoked.

Voices Of A Distant Star is a story of a teenage couple, separated by the vast expanse of outer space with only emails sent from a cellphone to tie the two together. As the girl is dragged light year upon light year further from Earth the messages take longer and longer to transmit until eventually they are so far apart that it takes 8 years just to send a message. The love between the two is so powerful that, despite light years of space and nearly a decade of time between them, they still so strongly want to talk to each other.

What amazed me the most about this however is that almost every part of the movie was done by Makoto Shinkai himself; from the directing, to the animation, right down to the voice acting played by himself and his wife. For being a project completed by a single man this is extraordinary beyond belief. Mr. Shinkai is a very talented man and is very well deserved of the following he has developed thus far.

I’ve quite enjoyed Dragonaut so far, it nicely filled the hole that was left when Darker Than Black got licensed and thus stopped being fansubbed. The art is very colorful and appealing and the character designs are excellent. Though I found the size of some of the women’s breasts to be a little on the disproportionate side to the point of detracting from the show.

Basically the story involves a boy named Jin who was on a shuttle, piloted by his father, to go into outer space on the first public transport space flight. This all went wrong however, when something came speeding down from outer space, directly through their shuttle in mid-takeoff. Needless to say, there was much chaos that ensued and somehow Jin survived the several mile fall into the ocean and relatively unharmed at that. The crash was blamed on pilot error, but it was in fact the result of an alien life form, they refer to as Dragons, colliding with the spacecraft. There was a big cover up and an organization known as the Dragonauts was formed with the goal of protecting the earth from the planet Thanatos which had crashed into Pluto, destroying it and hurling several dragons to earth. Jin is captured by this organization and asked to join, as he was in fact saved by one of these dragons in the crash that killed the rest of his family aboard the first public transport flight to outer space.

The dragon that saved Jin is a girl that calls herself Toa. She, along with all other dragons seems to be capable of taking the form of a human. The Dragonauts have been pursuing her, thinking that she is dangerous, however; she is actually just like a normal person and seems to develop somewhat of an affection for Jin. The two want to be together, but the Dragonauts want to tear them apart and dangerous circumstances invoked by the Dragonauts make her often have to use her powers to help Jin.

The action in the show is pretty cool and entertaining, but I what I liked most about it was how well they fused and action series with a love story. In all the fight scenes you can really feel that Toa cares about Jin and is trying to protect him, despite the ISDA’s misconceptions.

It’s one of the best shows I’ve seen so far this season, and I’ll be keeping a close eye on it to see how the story unfolds. I like the OP too, it’s sort of DubStep-ish, but very catchy and upbeat too. Overall I think it’s definitely one of the must-see shows of this season.

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I made that word up just now because nothing describes Moetan better. This is a very perverted, very Japanese show. If you are new to anime this probably isn’t the place to start. This show is basically one big long loli fan service. It’s hard to take it seriously though, because it so intensely loli fan service oriented that it’s practically self-parody. It’s certainly a good series for over-the-top comedy.

Moetan is of somewhat interesting origin however; Moetan is actually considered an ‘educational’ series. Originally a manga, Moetan is actually an English language study aid created by Sansai Books. Moetan’s name actually is an abbreviation of “‘Methodology Of English, The Academic Necessity’, however; it is fairly obvious this was a play on the words moe and tan, both being used to represent cuteness in a girl. The show has frequent scenes where the main character, known as Ink, tutors a classmate known as Nao-kun whom she secretly has a huge crush on. She conceals her true identity, Nijihara Ink, as a magical girl who refers to herself as Pastel Ink. They basically look exactly the same with different hair color, but somehow nobody seems to notice.

Nobody, that is, except her classmate and rival in both love and magical girlness; Sumi Kuroi. Everyone’s obliviousness plays a part in the humor of the show as Ink and Kuroi quite often use their powers where anyone could see them, but they somehow think nothing of it.

Ink gained her magical powers from a magician she refers to as Ah-kun who was left in her world in the form of a duck after being banished from the magical kingdom he came from. He gets a nosebleed every time Ink transforms to her magical girl form–for those that don’t know; nosebleeds are a Japanese pop culture representation of strong sexual attraction. Ink is naked during her transformation sequence, so Ah-kun gets to see various things that are illegal in many countries, if you catch my meaning.

One of my favorite parts of the show is the english tutoring scenes. The phrases that Ink try to teach to Nao-kun are almost always direct rants from the production staff about how difficult there jobs are. It makes for much amusement hearing characters in an anime talk about how poorly drawn things are and such things as that.

Also, this guy is awesome. He’s always running into a scene, making some pedophile remark and then running off before a police officer shows up seconds later asking if anyone has scene a ‘suspicious man’. His entrances are, as you can see in the picture below, overly dramatic and hilarious.

It’s not exactly what you’d expect an ‘educational anime’ to be like, but who am I to argue? It’s hilarious; that’s all that matters to me. If you haven’t seen a wide variety of anime you will probably miss several of the references, but it’s still a very watchable show and is very entertaining. If you like over-the-top somewhat perverted humor than this is the show for you!

All sorts of cool Moetan stuff is available at Play-Asia.

Sometimes you can walk into a music store and listen to an album to see if you like it, or download a demo of a game off the internet to see if the game was actually fun–sometimes being the key word there. For the most part, this simply is not the case. How can you expect someone to buy something that they don’t even know they will enjoy? And for such unreasonable prices, I might add!

You know how much it costs to have DVDs pressed? Approximately $0.50 per disk. The current generation of video games costing between $50 and $70, that’s over a 10000% profit margin! The production budget of Halo 3 was less than most major blockbuster movies like Spiderman 3, so why does Halo 3 sell for $70, while I can find Spiderman 3 DVDs all over the place for $20? Greed.

But I said that piracy even helps the economy didn’t I? Well, yes; I did. If it weren’t for piracy I never would’ve found Serenity or Casshern, two of my favorite movies, I never would’ve found about 90% of the music I listen to, I never would’ve found out Gitaroo Man was such a fun game.

Would you deprive me of my enjoyment in hopes that I buy your product? That doesn’t exactly seem like a very effective marketing strategy to me…

Open Source is the future, in all respects. You will never get anything back if you never give in there first place. I’m not saying we should all turn commie and live in identical mud huts, but we should have the freedom to support what we want to and only IF we decide we want to. We should be given the chance to experience it for ourselves before deciding if we want to fork over $50+ for it, these things should not be concealed. You know what my greatest regret is? That I actually paid for Beyond The Beyond. That game was so horrible I snapped it into little pieces and melted it, so no one else would make the mistake of inserting that cancerous disk into their poor defenseless Playstation.

I have plenty of pirated stuff, yet I, on more than one occasion, have donated up to $100 to some random programmer on the internet for programming fun games independently. They released the games for free to anyone, but I felt it was deserving enough of my support, so am I still a thief for downloading a game I never would have paid for anyway? Tell me that.

So why is piracy so much more rampant now than way back in the olden days when dinosaurs still roamed the earth? It’s not. There is a greater number of people involved in the piracy scene, but there is also a greater number of people in general. The ratio has actually decreased rather significantly. How many of you couldn’t dig through your house and find an old mix tape lying around somewhere? That was piracy. Everyone had mix tapes back in the day, piracy is not a new thing at all. It just got easier because that’s what time does; it improves things. If, in several decades, the efficiency of piracy had not improved it would be nothing short of an miracle.

Piracy isn’t a bad thing though; sure, it adds a bit of unbalance to the equation, but more often than not, it gets you more attention. Everyone likes free stuff, even if it’s not ‘technically’ legal.

That having been said there is one simple reason why piracy still exists even when it shouldn’t; everything sucks. That is the first expectation anyone has until proven otherwise these days, because that is quite often the case. The market has been flooded with so much mediocrity that it becomes nigh impossible to sift through it all to find those rare, hidden treasures. Thus is the dark side of the technology age. But with the technology age many of these hidden gems wouldn’t even exist because even the companies producing all this mediocrity follow the mindset that everything sucks until proven otherwise. You can’t go to a game company and say, “Hey! I’ve got this cool idea for a game!”, because they’ll just tell you to buzz off. That certainly doesn’t help to promote creativity. I don’t know about you, but I’m not really looking forward to Burnout 17.

I’m sure you anime fans know piracy all too well. Fansubs are treading on mighty thin ice, and could quite easily be interpreted as an immoral practice. They continue to be released because someone loves the shows so much that they feel others deserve to see the show too–even need to see the show too. We’re it not for piracy, I would never have experienced the greatness of Makoto Shinkai’s or Hayao Miyaaki’s works, I never would have experience anime at all. This blog would not exist. The several thousand people that read this blog would likely be in the same position. It is unfair to conceal such a powerful art from such an expansive audience.

Art is to be shared, not locked away for only a privileged few to experience.

Anyway, enough of my ranting. If you know any employees of the entertainment industry send them the link to this post. This is a message that needs to be seen, before the entire entertainment industry simply collapses into itself from such anti-creative methods.

You probably still remember my recent post about the animated film Beyond The Clouds–well, this is a brand new movie from the same director and animation studio! Byousoku 5cm, literally meaning 5 Centimeters Per Second, just came out in Japan this September. The art is absolutely fantastic (as you can probably assume by the fact I posted 65 screenshots of it. *_*), there is some definite improvement in the quality of the art since their previous project, Beyond The Clouds. The art is extremely colorful and extraordinarily detailed at times. You’d almost swear you were looking at the real thing in some scenes!

Aside from the noticeable improvement graphically, I found the story in 5 Centimeters Per Second was much more dramatic and engaging than Beyond The Clouds. The story is split into three chapters, each centered around a boy named Takaki Tono. Because of circumstances beyond his control he has been forced to spend his youth constantly moving from city to city. Takaki’s relationship with his close friend Akari Shinohara is very central to the plot.

Episode 1: Okasho

Upon graduating from elementary school, Takaki Tono and his close friend Akari Shinohara drifted apart. Akari moved to Tochigi Prefecture due to her parents’ jobs, while Takaki attended a junior high in Tokyo. The two kept in contact by writing letters, but despite the feelings that existed between them, the only thing that persisted was time. When Takaki became aware that his family would move to Kagoshima, he decided to go see Akari since they would be too far apart to visit each other after he moved. However, when the day came, a severe snowstorm delayed Takaki’s trip, and it would be hours before he reached Iwafune, where they promised to meet.

Episode 2: Cosmonaut

Takaki is now in the third year of senior high in Tanegashima, where the Tanegashima Space Center is located. Kanae Sumita, a classmate of Takaki, has feelings for Takaki, but she does not have the courage to express her love to him. She later observes that Takaki is always staring off into the distance, as if searching for something far far away. Even though she loves Takaki she understands that he is searching for things far greater than what she can offer.

Episode 3: Byōsoku 5 Centimeter

It is now 2008, and all three characters have gone their separate ways. Takaki is now a computer programmer in Tokyo, and Akari is preparing to get married. One day, Takaki goes out and sees the face of a familiar-looking woman at a railroad-crossing. He tries to look back, but a passing train obstructs his view.

The movie is very subtle in it’s presentation, but it is very rich in emotion and depth. I could very much feel an actual love between the characters in the story. That isn’t something that can often be said of an animated film. It was easy to relate the characters’ actions and emotions–Takaki, in the second chapter had a girl that loved him right by his side the whole time, but he couldn’t acknowledge her because he just couldn’t let go of the past. The movie quite much had a theme to it that dwelling on the past will only be damaging in the future.

From the art to the story right down to the characters this is a truly breathtaking film that anyone, regardless of interest in anime, could walk away with a part of themselves forever changed. This movie is pretty much required viewing for anyone with any interest at all in Japan and it’s unique culture.

Beyond The Clouds was an extraordinary anime, but not so much in the story as the artistry. I call it “a moving masterpiece” because the art in the movie is like a moving painting. People have said that of just about all forms of anime, but this one very much is a piece of moving art. Pictures alone don’t really do justice to the quality of the art, as much of it is in the movement and small changing details like the flashing of lightning or the distorted view created by heat vapors. Parts of this movie actually managed to feel warm despite the video medium being technically incapable of projecting physical things such as temperature.

This is a movie for people that enjoy the art behind an anime as much as the anime itself. The story, though interesting and unique is actually quite slow. Despite that, I kept wanting to watch it because the characters were just so interesting and human feeling. The personalities were far more believable than most animated films I have seen in the past.

The movie takes place in an alternate timeline version of Japan several decades after an event refered to as The Separation has occured. The Seperation split Japan into two halves leaving the southern part occupied by the United States and the northern part occupied by something called the Union. Around the same time as The Seperation a scientist named Ekusun Tsukinoe began the construction of a strange tower for the Union in Ezo, a city we would know as Hokkaido. The tower was so massive that, on a clear day, it could be seen all the way from Tokyo

An underground group called the Uilta Liberation Front was formed in the South with the goal of reunifying Japan. Secretly supported by some Alliance government officials, it engages in terrorist activities on Union territory. At the time of the movie this organization is attempting to bomb the tower. This all sounds like an interesting plot–however; the main characters are more spectators in the whole event than anything really.

The story begins in Aomori on the northern end of southern Japan and follows the story of three friends. The characters are two boys; Hiroki Fujisawa and Takuya Shirakawa who both have exceptional abilities in physics and engineering, and the one girl; Sayuri Sawatari, a classmate who becomes friends with the boys.

Hiroki and Takuya have been working together to build an airplane out of a crashed drone plane they had found. They keep it hidden in a warehouse where they work on it regularly with parts they have scrounged from where they work at the Emishi Manufacturing factory. Sayuri mysteriously disappears during the summer while Hiroki and Takuya’s work on the plane fades.

The story then jumps 3 years ahead where Hiroki has become a physics engineer working for the Union, but secretly a member of the Uilta Liberation Front, while Takuya has basically sat around in Tokyo moping about Sayuri’s disappearance. Takuya eventually gets involved when he discovers that Sayuri has basically been asleep at a hospital because of alternate realities being fed into her mind in the form of dreams. If she were to awaken the world could basically come to an end.

I highly recommend this movie, despite the somewhat slow pace, if only for the extraordinary art. It really is something to see, it’s so beautifully done.